This article explores an interdisciplinary approach that integrates historiography, musicology, iconography and motion computing to investigate the interactions between music, body and visual representation. Introduces the concept of “embodied iconography”, which seeks to interpret historical images not only as visual documents, but as traces of the bodily and musical dynamics of the contexts in which they were created. […]
Call for candidates for the scientific initiation grant in the IconoDiaspora project.
Calls are open for UEMG students interested in working with the IconoDiáspora project team (2022-2024). Click here to learn more. What the project offers: Work with Corpuslab faculty and students Learn advanced techniques and cutting-edge research processes. Dialogue with graduate students and researchers Scholarship 400 […]
How to disturb a musician's mind? Corpuslab teachers' article addresses the relationship between musicians and instruments.
Professors Luiz Naveda and Marília Nunes have just published an article in the Journal of New Music Research, one of the leading journals in the field of musicology: “Breaking down the musician’s minds: How small changes in the musical instrument can impair your musical performance.” (breaking musicians' minds: how small changes in the musical instrument can […]
Candomblé, dances and an African technological perspective
In 2019 Corpuslab was visited by researcher Olabanke Oyinkansola Goriola or Oyin, as we call it. Oyin is a Nigerian researcher and dancer, master by Erasmus Mundus Joint Master Degree (Choreomundus) at NTNU Trondheim (Master in Dance Anthropology) and developed his field research with professor Luiz Naveda and Corpuslab group. Game […]
Forró and the relationship between music, dance and identity
“There on my saw foot / I let my heart stay. Ouch, I miss you / I'm going back to my backlands. In my field I worked every day / But on my ranch I had everything I wanted. There were dances almost every Thursday / Concertina, and have a drink all night. ” Just talk about forró […]
We have an EEG!
The GP-CMC acquired an EEG for introduction to the study of neuroscience and to begin a closer dialogue with the neurophysiological measures available for research in music. The equipment – um emotion EPOC + (https://www.emotiv.com/epoc/) allows capture 14 EEG channels. It gets more hi less asssim